This panorama was stitched from 140 images. Lots of detail to explore - have fun!
For a full screen view of this and other large panoramas I have made - have a look at this web site: PeteM2020 Gigapans
"Hindsight is always twenty-twenty. " Billy Wilder
"Hindsight is an exact science. " Guy Bellamy
18 June 2013
13 June 2013
Edward Hopper
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| Image © PeteM2020 |
“Great art is the outward expression of an inner life of the artist, and this inner life will result in his personal vision of the world….”
Then looking at the picture again, I got a bit thoughtful. As a photographer, do you know why you create certain kinds of images? Why does it make you feel good to share them with others?
07 June 2013
Railway Stations
Rick Amor is having an exhibition at the Castlemaine Art Gallery during June - great excuse for a country jaunt.
I enjoyed the gallery. The exhibition showcases how Amor composes his oil paintings. He produces sketches, prints and watercolours that are then used as guides for the final paintings. Fascinating to follow the process from concept to finished artwork.
Travelling by train off-peak is cheap, easy and very relaxing – even some grand old stations and fine stone bridges to admire whilst charging through the lush Victorian countryside.
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| © PeteM2020 |
Image captured at Castlemaine Railway Station - just as the rain set in!
04 June 2013
Photogravure with polymer plates
To my thinking, digital photography matched with photogravure is the perfect marriage between new and old art forms. With the advent of photosensitive polymer plates, the technique is now greatly simplified and quite safe.
Briefly, this is how I do it:
An image is converted to black and white in Photoshop. The file is then converted to an image-setter positive film – in my case, by a professional bureau.
The polymer plate is exposed twice with UV light – first through a stochastic screen and then through the image-setter film. The plate is then washed in warmish water, dried and then re-exposed to UV light to harden.
If all has gone to plan, the plate will look something like the one below - but without the ink stains.
Next stage is traditional intaglio printing – ink up the plate, wipe off the excess and then through the etching press with suitable wet rag paper. All sounds easy, doesn’t it…………….
Briefly, this is how I do it:
An image is converted to black and white in Photoshop. The file is then converted to an image-setter positive film – in my case, by a professional bureau.
The polymer plate is exposed twice with UV light – first through a stochastic screen and then through the image-setter film. The plate is then washed in warmish water, dried and then re-exposed to UV light to harden.
If all has gone to plan, the plate will look something like the one below - but without the ink stains.
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| Image © PetreM2020 |
Next stage is traditional intaglio printing – ink up the plate, wipe off the excess and then through the etching press with suitable wet rag paper. All sounds easy, doesn’t it…………….
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| Image © PeteM2020 |
If the gods are smiling the result can be quite remarkable – incredible detail and a wide tonal range. Despite the relatively course rag paper, have a look at the fine details in the enlarged section of the print.
So why all the bother when an inkjet print on rag paper may look similar? Intaglio printing, that’s why – there isn’t another way of getting that 3D look and tactile feel to a print!
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| Image © PeteM2020 |
02 June 2013
My hero - Jeffrey Smart
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| Image © PeteM2020 |
Can’t put my finger on why, but these days Jeffrey Smart’s paintings resonate with my perception of the landscape – seeing beauty in the mundane.
Found this scene mid afternoon in sunny Hobart (Tasmania). I knew there was an image there, but couldn’t nail it down. Took a heap of pictures from various angles, but nothing seemed to work.
The odd car passed by, putting a bit of life into the scene, but I was too slow….. Fortunately, my muse came to the rescue, yelling from the street corner “car!!” “truck!!” or “cyclist!!” as they approached. Capturing this truck, with the matching blue colour, made my day!
27 May 2013
Bulrushes
Autumn - time for pruning the deciduous shrubs. Yesterday, it was the turn of American Dogwoods (Cornus sericea) by the pond to receive their annual “haircut”. The resident frogs were in full voice – how on earth they can focus on reproduction in that freezing water is beyond me, but that’s another topic!
The clumps of bulrushes at the pond’s edge looked marvellous in the late afternoon sun - worthy of fetching the camera, but I had instead some fun with a scrap of paper, brush and black ink.
The clumps of bulrushes at the pond’s edge looked marvellous in the late afternoon sun - worthy of fetching the camera, but I had instead some fun with a scrap of paper, brush and black ink.
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| Image © PeteM2020 |
23 May 2013
Motocross – Broadford
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| Image © PeteM2020 |
I’ve put together a webpage with heaps of images from the day. Changed the picture style to suit the ambience – more pop, “grit” and saturation. Have a look: Motocross -Broadford
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